Orchestriq
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AI studio for short films

From idea to short film, with an AI director by your side.

Start with an idea. Orchestriq writes the script, casts the characters, scouts the locations and plans every shot, then draws the storyboard and takes you through to the final cut. You keep the director’s chair.

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One flow, from idea to final cut

Every step produces something you can read, adjust and approve before moving on.

  1. Idea

    A few lines, the length, the aspect ratio and the quality level. Reference images for style, faces and places if you have them.

  2. AI director

    Treatment, script, cast, locations, a style bible and a validated shot list — with the director’s own critique.

  3. Storyboard

    A first and a last frame for every shot, with several variants to choose from.

  4. Clips In development

    From approved frames to video clips, with the model best suited to each shot.

  5. Edit

    A timeline with video, audio and title tracks; export your film as MP4.

Built for the real problems of generative video

Consistent characters

A character library with versioned identities and outfits: the same face and the same costume from shot to shot, in every film.

Quality you can check

Automatic face and continuity checks on every variant. Anything off is flagged for review — you have the final say.

Clear costs

Before every generation you see the estimate, typical and maximum. A per-film budget means no surprises.

Made for directors and creatives

For anyone with a story to tell who wants to see it before shooting it — or instead of shooting it: independent filmmakers, screenwriters, creative studios, film schools. Orchestriq doesn’t make your choices for you; it makes them quick to try.

  • Every step of the director is editable and versioned: change the script and whatever depends on it is marked for redo.
  • 16:9, 9:16, 1:1, 4:3 and 21:9, from 5 seconds to 10 minutes.
  • Fictional characters only: faces of real people are never generated.

Your next short film starts with one line.

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